{"id":869,"date":"2021-06-24T04:32:12","date_gmt":"2021-06-24T04:32:12","guid":{"rendered":"https:\/\/syncity.oikoplus.com\/?p=869"},"modified":"2021-06-28T20:34:32","modified_gmt":"2021-06-28T20:34:32","slug":"10-plexhibition","status":"publish","type":"post","link":"https:\/\/syncity.oikoplus.com\/?p=869","title":{"rendered":"10 Plexhibition"},"content":{"rendered":"
\n

10 Plexhibition<\/h2>\n\n\n\n

Plexhibition invites people to study their surround\u00adings and to pro\u00adpose changes for chosen aspects of the environment. Instead of verbal articu\u00adla\u00adtion, ideas are drawn on the plexi\u00adglass. The tempo\u00adrary exhi\u00adbition of images created stimulates con\u00adver\u00adsation and debate on space.<\/p>\n\n\n\n

Prepare<\/strong><\/p>\n\n\n\n

You need at least 4 to 5 plexiglass panels (6\u2009mm thick) in A4 format, ideally placed in a wooden frame, as this provides stability to the plexiglass and allows the drawer to focus his or her vision.<\/p>\n\n\n\n

Facilitate<\/strong><\/p>\n\n\n\n

Plexhibition needs a setting based on trust and creativity. It can help to create inspiration by hanging an image painted in advance. The possibility to draw freely often attracts children to participate in the first place; invite their adult companions to join and e.\u2009g. complete the picture.<\/p>\n\n\n\n

Exhibit the painted panels<\/strong><\/p>\n\n\n\n

Exhibit them on location; drill a hole in the centre of the panels and hang them in front of a non-transparent background. Once you have drawings hanging, more and more people will come and participate. If a picture has been comprehensively discussed and the creator agrees, it may continue to serve as an attraction and inspiration for other people. If he\u2009\/\u2009she does not agree, wipe away the picture with a moist towel; the plexiglass panel is then ready to be repainted.<\/p>\n\n\n\n

Overcome the temporality <\/strong><\/p>\n\n\n\n

Plexhibition needs documentation. Take photos and videos, but above all notes on the topics discussed. Plexhibition uses chalk pens to maintain a temporary character. If you make the images permanent (e.\u2009g. by using fixative sprays or indelible markers) you may influence the way interaction is perceived. Inspiring reflections on this can be found in Ak\u0131n and K\u0131p\u00e7ak (2016).<\/p>\n\n\n\n

Who is it for<\/em><\/p>\n\n\n\n

Youngsters and everyone who prefers drawing to writing<\/p>\n\n\n\n

How does it work<\/p>\n\n\n\n

People use a transparent plexiglass panel, hold it in front of an interesting background and augment what they see with their own drawings.<\/p>\n\n\n\n

Why, what for<\/em><\/p>\n\n\n\n

It is a creative and simple way to express desired change or spatial associations. The panels can be re-used. The method works best when the cityscape may be altered (e.\u2009g. brownfields).<\/p>\n\n\n\n

Who can do it and what you need for it<\/em><\/p>\n\n\n\n

Competences<\/strong>: skills and tools to cut plexiglass and construct wooden frames for it; facilitator skills
Materials<\/strong>: plexiglass, wood, chalk pens, a moist sponge<\/p>\n\n\n\n

At what phase in a planning process<\/em><\/p>\n\n\n\n

Best used in the awareness-raising phase<\/p>\n\n\n\n

Estimated budget<\/em><\/p>\n\n\n\n

Plexiglass panels incl. wooden frame: up to \u20ac\u200940
chalk pens: \u20ac\u20093\u2009\u2013\u2009\u20ac\u20095, Cleaning sponge: \u20ac\u20091<\/p>\n\n\n\n

Contact:<\/em><\/p>\n\n\n\n

Michael Anranter, office(at)oikoplus.com<\/p>\n\n\n\n

\"\"
During Plexhibition testing in summer 2020 in Vienna, COVID-19 was the major topic drawn by many children and teenagers.<\/figcaption><\/figure>\n\n\n\n

Further reading:
<\/strong>Ak\u0131n, Canan and N. Sezin K\u0131p\u00e7ak. 2016. \u2018Art in the Age of Digital Reproduction: Reconsidering Benjamn\u2019s Aura in \u201cArt of Bansky\u201d\u2019. Journal of Communication and Computer 13: 153-158.
*
Mygind, L\u00e6rke, H\u00e4llman, Anne K. and Peter Bentsen. 2015. \u2018Bridging Gaps between Intentions and Realities: A Review of Participa\u00adtory Exhibition Development in Museums\u2019. Museum Management and Curatorship 30(2): 117\u2013 137.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Plexhibition invites people to study their surround\u00adings and to pro\u00adpose changes for chosen aspects of the environment. Instead of verbal articu\u00adla\u00adtion, ideas are drawn on the plexi\u00adglass. The tempo\u00adrary exhi\u00adbition of images created stimulates con\u00adver\u00adsation and debate on space.<\/p>\n","protected":false},"author":1,"featured_media":876,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-methods"],"yoast_head":"\n10 Plexhibition – Syncity<\/title>\n<meta name=\"description\" content=\"How to make urban transformation processes more just and green? 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